GALLERY ARTIST ARJAN JANSSEN IN BONN APRIL 2018

VERTICAL / Karlheinz Bux | Lutz Fritsch | Marina Herrmann | Arjan Janssen | Annebarbe Kau | Alice Musiol | Stefan Papčo / Opening:   Sunday, April 22, 2018, 11:30 am

Greeting:   Prof. Andreas Denk, Chairman of gkg / Introduction:   Dr. Susannah Cremer-Bermbach, curator / Closing:   Sunday, June 17, 2018 at 11:30 am with a lecture on "Vertical" by Prof. Edgar Guzmanruiz, Bogotá / Opening hours:   Wed - Fri 15 - 18 I Sat 14 -17 I Sun and day 11 - 17 h

Events:   Sunday, May 13, 2018, 14 am: Opening of the sound collage headstand by Anne Barbe Kau on August Macke place as part of the August Macke district festival

 Wednesday, May 23, 2018, 18 am: Excursion to Potsdamer Platz (roundabout Bonn) with Lutz Fritsch (to his work site in mid-2008 - Meeting: Society of Art and Design

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English potter Gordon Baldwin OBE - Available works

Available artwork by one of the world's most distinguished ceramic artists English potter Gordon Baldwin. Gordon Studied at the Lincoln School of Art and Design and was teacher at the Lincoln School of Art and the Central School of Art and Design.  Also teacher at Eton College. 

please contact the gallery at ernorth@richeldisfineart.com for further details and pricing. 

Gordon Baldwin, To Catch a Cloud Perhaps (2010) image © Philip Sayer, courtesy of Marsden Woo Gallery.jpg

November / Max Richter

West German-born British composer who has been an influential voice in post-minimalist composition piece November 

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MARKERS - 93 Piccadilly

  The Encounter Contemporary and Richeldis Fine Art are pleased to present   ‘Markers’   ,      a   significant exhibition of contemporary painting, launching on the 11  th   November at 93 Piccadilly, Mayfair.     This compelling curatorial project marks the first collaboration between two of London’s leading nomadic galleries and art consultancies. Directors Emma Richeldis North and Alexander Caspari bring together a collection of emerging contemporary painters, each making their mark on the international art scene.     Following individual appearances at notable institutional venues such as Kunsthal Aarhus (Denmark),  Breda’s Museum (Netherlands), and Lepsien Art Foundation (Germany),  ‘Markers’  offers a unique opportunity to view the work of five internationally acclaimed artists at the pivotal moment of their careers.    Not simply the question of ‘what’, but ‘how’ to paint has taken on a renewed critical urgency.  ‘Markers’  brings together a small focussed group of contemporary artists who are carving out distinct visual languages, which self-consciously and playfully reference the weighty history of painting, whilst continuously interrogating new spaces of inquiry emerging on its periphery.  The varied and innovative processes of artistic production each employs have become important sites for critical investigation in themselves. Williams tears and stains un-stretched canvasses before reconstructing them into refined compositions, the result is nuanced works, which in their very materiality complicate the perceived edges of the painterly frame. In his pared back monochromatic studies, Janssen skilfully traverses the intimate line between minimalist composition and expressive mark, creating meditative works that continuously tremble on the edge of movement. After deconstructing found images and patterns through digital printing techniques, Davies then painstakingly refigures them on canvas, a multifaceted process of layering and overlapping, adding and subtracting, which at every step problematises issues of authorship and image-production. Through his use of industrial materials such as tar, fibreglass and acid, Kragelund’s striking coded works both preserve and attack the object-hood of painting. And while their raw materiality clearly dialogues a post war European approach to making, their charged conceptual underpinning remains thoroughly rooted in the present. Teague’s unique visual language at once consciously and unconsciously addresses issues of painterly process, the minimal yet erratic gestures which drift across his canvasses are precariously balanced in an ambiguous position on the edge of restraint and release.  Despite emerging from fundamentally different creative trajectories, at play in each is a shared sensibility for creating multi-layered objects, which at once disguise and reveal the physical and conceptual labour through which they have come into being. The work scrubs out the pictorial and explores what’s left. At the core of the show is a conflicting impulse between accumulation and erasure, a delicate balance between intuitive gesture and deeply considered subject.    “Markers” will run from 11th to 21st November. This powerful exhibition marks the coming together of a dynamic group of artists and curators and is certainly not one to miss.

The Encounter Contemporary and Richeldis Fine Art are pleased to present ‘Markers’, a significant exhibition of contemporary painting, launching on the 11th November at 93 Piccadilly, Mayfair. 

This compelling curatorial project marks the first collaboration between two of London’s leading nomadic galleries and art consultancies. Directors Emma Richeldis North and Alexander Caspari bring together a collection of emerging contemporary painters, each making their mark on the international art scene. 

Following individual appearances at notable institutional venues such as Kunsthal Aarhus (Denmark),  Breda’s Museum (Netherlands), and Lepsien Art Foundation (Germany), ‘Markers’ offers a unique opportunity to view the work of five internationally acclaimed artists at the pivotal moment of their careers. 

Not simply the question of ‘what’, but ‘how’ to paint has taken on a renewed critical urgency. ‘Markers’ brings together a small focussed group of contemporary artists who are carving out distinct visual languages, which self-consciously and playfully reference the weighty history of painting, whilst continuously interrogating new spaces of inquiry emerging on its periphery.

The varied and innovative processes of artistic production each employs have become important sites for critical investigation in themselves. Williams tears and stains un-stretched canvasses before reconstructing them into refined compositions, the result is nuanced works, which in their very materiality complicate the perceived edges of the painterly frame. In his pared back monochromatic studies, Janssen skilfully traverses the intimate line between minimalist composition and expressive mark, creating meditative works that continuously tremble on the edge of movement. After deconstructing found images and patterns through digital printing techniques, Davies then painstakingly refigures them on canvas, a multifaceted process of layering and overlapping, adding and subtracting, which at every step problematises issues of authorship and image-production. Through his use of industrial materials such as tar, fibreglass and acid, Kragelund’s striking coded works both preserve and attack the object-hood of painting. And while their raw materiality clearly dialogues a post war European approach to making, their charged conceptual underpinning remains thoroughly rooted in the present. Teague’s unique visual language at once consciously and unconsciously addresses issues of painterly process, the minimal yet erratic gestures which drift across his canvasses are precariously balanced in an ambiguous position on the edge of restraint and release.

Despite emerging from fundamentally different creative trajectories, at play in each is a shared sensibility for creating multi-layered objects, which at once disguise and reveal the physical and conceptual labour through which they have come into being. The work scrubs out the pictorial and explores what’s left. At the core of the show is a conflicting impulse between accumulation and erasure, a delicate balance between intuitive gesture and deeply considered subject. 

“Markers” will run from 11th to 21st November. This powerful exhibition marks the coming together of a dynamic group of artists and curators and is certainly not one to miss.

Markers 11-19th November 2017

DAVIES, KRAGELUND, WILLIAMS, TEAGUE, JANSSEN

 

“Markers” 11th - 21st November
Opening Hours: 12- 8pm
Address: 93 Piccadilly Mayfair

The Encounter Contemporary and Richeldis Fine Art are pleased to present ‘Markers’, a significant exhibition of contemporary painting, launching on the 11th November at 93 Piccadilly, Mayfair.  This compelling curatorial project marks the first collaboration between two of London’s leading nomadic galleries and art consultancies. Directors Emma Richeldis North and Alexander Caspari bring together a collection of emerging contemporary painters, each making their mark on the international art scene. Following individual appearances at notable institutional venues such as Kunsthal Aarhus (Denmark),  Breda’s Museum (Netherlands), and Lepsien Art Foundation (Germany), ‘Markers’ offers a unique opportunity to view the worK. 

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Cornelius CardeW

Cornelius widely known in Britain and throughout the world not only for his avant-garde compositions but also as a political composer and for his position in contemporary music. 

Cornelius Cardew (1936 – 1981) was a British music composer, who worked as an assistant for Karlheinz Stockhausen for three years. Apparently, after assisting to concerts of John Cage and David Tudor he turned his research towards indeterminacy and composed his most famous piece, “Treatise”. Written between 1963 and 1967, the composition is made up of a graphic musical score of 193 pages in a visual language invented by the author and completely distant from conventional music notation. Cardew never gave instructions on how to play “Treatise” and left its symbols, abstract forms, numbers and shapes open to free interpretation by the performers. Recurring graphic elements suggest the presence of a structure, but each interpretation of the piece is unique as the performer has to set his own rules when confronted with the notation. The graphic richness of the score and its resemblance to abstract composition allow the piece to exist also as a purely visual work. #sockstudio

https://www.theguardian.com/music/tomserviceblog/2012/dec/17/cornelius-cardew-music-guide

'Markers' November 11-21st 93 Piccadilly Mayfair

Encounter Contemporary and Richeldis Fine Art are pleased to present ‘Markers’ a significant exhibition of contemporary painting from 11-21st November at 93 Piccadilly, Mayfair. 

This compelling curatorial project marks the first collaboration between two of London’s leading nomadic galleries and art consultancies. Directors Emma Richeldis North and Alexander Caspari bring together a collection of emerging contemporary painters, each making their mark on the international art scene.  Following individual appearances at notable institutional venues such as Kunsthal Aarhus (Denmark),  Breda’s Museum (Netherlands), and Lepsien Art Foundation (Germany), ‘Markers’ offers a unique opportunity to view the work of five internationally acclaimed artists at the pivotal moment of their careers.

Not simply the question of ‘what’, but ‘how’ to paint has taken on a renewed critical urgency. ‘Markers’ brings together a small focussed group of contemporary artists who are carving out distinct visual languages, which self-consciously and playfully reference the weighty history of painting, whilst continuously interrogating new spaces of inquiry emerging on its periphery.

The varied and innovative processes of artistic production each employs have become important sites for critical investigation in themselves. Williams tears and stains un-stretched canvasses before reconstructing them into refined compositions, the result is nuanced works, which in their very materiality complicate the perceived edges of the painterly frame. In his pared back monochromatic studies, Janssen skilfully traverses the intimate line between minimalist composition and expressive mark, creating meditative works that continuously tremble on the edge of movement. After deconstructing found images and patterns through digital printing techniques, Davies then painstakingly refigures them on canvas, a multifaceted process of layering and overlapping, adding and subtracting, which at every step problematizes issues of authorship and image-production. Through his use of industrial materials such as tar, fibreglass and acid, Kragelund’s striking coded works both preserve and attack the object-hood of painting. And while their raw materiality clearly dialogues a post war European approach to making, their charged conceptual underpinning remains thoroughly rooted in the present. Teague’s unique visual language at once consciously and unconsciously addresses issues of painterly process, the minimal yet erratic gestures which drift across his canvasses are precariously balanced in an ambiguous position on the edge of restraint and release.

Despite emerging from fundamentally different creative trajectories, at play in each is a shared sensibility for creating multi-layered objects, which at once disguise and reveal the physical and conceptual labour through which they have come into being. The work scrubs out the pictorial and explores what’s left. At the core of the show is a conflicting impulse between accumulation and erasure, a delicate balance between intuitive gesture and deeply considered subject.

“Markers” will run from 11th to 21st November. This powerful exhibition marks the coming together of a dynamic group of artists and curators and is certainly not one to miss.

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